Re-making the margin : the Master of the David Scenes and Flemish manuscript painting around 1500 / Anne Margreet W. As-Vijvers ; transl. [from the Dutch] by Diane Webb.

• Names and terms used in this book -- Part One: The isolated-motif manuscripts -- Introduction: Why marginal motifs matter -- Decorative programmes in Ghent-Bruges books of hours -- The standard Ghent-Bruges book of hours -- Introducing the isolated-motif manuscripts -- The decorative System of isolated motifs -- -- The isolated motifs examined individually -- Models -- Mammals -- A wide variety of species and poses -- Dogs -- Lions -- Hares and rabbits -- Deer -- Pigs -- Cows, asses, horses and unicorns -- Sheep and goats -- Cats and mice -- Bears and foxes -- An unidentifiable animal -- Other animals -- Taking stock of the animals -- Birds -- Standard birds and their variants -- Peacocks -- Cranes, cocks, ducks and parrots -- Colourful species -- Birds reflecting printed sources -- Owls and bird-catching -- The birds in brief -- Objects -- Jewels -- Pilgrims' badges, staffs and scallop-shells -- Skulls and cross-bones -- Precious tableware and miscellaneous objects -- Narratives and drolleries -- Work and pleasure -- Hunting and jousting -- Exotic peoples -- Monkeys and mimics -- Composite creatures -- Flowers and small creatures -- Floral motifs -- The creatures among the flowers -- Composing strewn-flower borders -- Borders on coloured grounds -- Quires and motifs -- The relationship between quire structure and the use of models -- The Huth hours as a model -- A specific repertoire of models -- The process of decorating borders -- Linking the manuscripts by means of isolated motifs -- Page layout -- The origins of the isolated motif -- The distribution of the motifs over the margins -- The unity of the opening -- The use of uncut sheets -- The page as a spatial entity -- -- Exploring isolated motifs : the Brukenthal hours and the hours of Joanna of Castile -- The miniatures in the Brukenthal hours -- The miniatures in the hours of Joanna of Castile -- The marginal decoration of the two manuscripts -- The David master and the Huth hours -- Collaborating illuminators : the network of the master of the David scenes -- The Beinecke hours -- The Baillencourt and the Estense hours -- The Walters and the Jagiellonska hours -- The book of penitential Psalms and the speculum-psalter -- Spreading the motifs : other illuminators who produced isolated-motif manuscripts -- The Mettenye hours -- The Croÿ-Arenberg hours and the Croÿ prayer book -- The Dutuit hours -- The Rossiano hours -- The Playful hours -- Borrowing ideas from others : Simon Bening and the isolated motif -- The Leber, Flowers and Morgades hours -- Keeping up with the latest trends : Cornelia van Wulfschkercke of the Carmelite Convent -- The Van Hooff prayer book -- The Stowe hours -- The Vienna hours -- The Széchényi hours -- The J & G hours -- Other manuscripts produced in Cornelia's workshop -- The Ghent-Bruges network of supply and demand -- Border decoration as a marketing strategy -- Localising the isolated-motif manuscripts -- The organisation of production -- The transmission of models -- Border decoration : a distinct specialism? -- The coordination of the illumination process -- The workshop as a flexible team of collaborators -- The buying public -- Exploiting the margin -- Catalogue of the isolated-motif manuscripts -- Explanation of the catalogue descriptions -- Baillencourt -- Beinecke -- Brukenthal -- Correr -- Croÿ -- Croÿ-Arenberg -- Dutuit -- Estense -- Flowers Ms. -- J & G -- Jagiellonska -- Joanna -- Leaves -- Leber -- Mettenye -- Morgades -- Penit. Ps. -- Playful -- Rossiano -- Speculum-Ps. -- Stowe -- Széchényi -- Van Hooff -- Vienna -- Walters -- Part Two: Other types of free-standing motifs -- The master of the Dresden prayer book -- The G & A and the Egerton hours -- The 'Ne dicesseris a me' prayer book -- The Stillman hours -- Isolated instances of free-standing motifs -- The Czartoryski hours -- The Brooklyn hours -- The book of hours II 5465 in Brussels -- The Le Sauvage hours by Jennin Markant -- A book of hours by the master of Antoine Rolin -- The prayer book of a Bavarian princess -- Music manuscripts and a missal -- The Burgundian-Habsburg court complex -- The Baudeloo Missal -- Three part books -- The workshop of the Master of Charles V -- The hours of Mencía de Mendoza and the H & M hours -- Re-use of earlier material -- The prayer book of Isabelle de Bethz -- Catalogue entries to Part Two -- Baltimore, Walters art museum, Ms. W. 425 (H & M hours) -- Berlin, Staatliche Museen zu Berlin, Kupferstichkabinett, Ms. 78 B 14 (G & A hours) -- Brussels, Koninklijke Bibliotheek van België/Bibliothèque Royale de Belgique, Ms. II (book of hours) -- Brussels, Koninklijke Bibliotheek van België/Bibliothèque Royale de Belgique, Ms. IV 90 (part book : superius) and Ms. IV 1274 (altus), and Tournai, Bibliothèque de la Ville, Ms. 94 (tenor) -- Krakow, Biblioteka Czartoryskich, Ms. Czart. 3025 (Czartoryski hours) -- London, British Library, Egerton Ms. 1147 (Egerton hours) -- Madrid, Instituto de Valencia de Don Juan, Ms. 26-111-41 (Hours of Mencía de Mendoza) -- New York, Brooklyn Museum of Art, Dep. of Prints, Drawings & Photographs, Ms. 19.74 (Brooklyn hours) -- New York, Morgan Library & Museum, Ms. S.7 (Stillman hours) -- The Hague, Koninklijke Bibliotheek, Ms. 74 G 2 ('Ne dicesseris a me' prayer book) -- Valenciennes, Bibliothèque municipale, Ms. 836 (Prayer book of Isabelle de Bethz) -- Vienna, Österreichische Nationalbibliothek, Cod. 2730 (prayer book of a Bavarian princess) -- Blbliography -- Black-and-white figures -- List of colour plates -- List of black-and-white figures -- List of comparative illustrations -- List of drawings -- List of tables -- Index of objects -- General index.

Ämnesord

Medeltiden  (sao)

Medeltida handskrifter  (sao)

Tideböcker  (sao)

Marginal illustrations.  (LCSH)

Illumination of books and manuscripts, Flemish.  (LCSH)

Illumination of books and manuscripts, Medieval  -- Flanders. (LCSH)

Illumination of books and manuscripts, Medieval  -- Belgium -- Bruges. (LCSH)

Illumination of books and manuscripts, Medieval  -- Belgium -- Ghent. (LCSH)

Illumination of books and manuscripts, Medieval  -- Themes, motives. (LCSH)

Books of hours  -- Illustrations. (LCSH)

Randversiering.  (gtt)

Geïllustreerde handschriften.  (gtt)

Illumination of books and manuscripts, Flemish.  (fast)

Illumination of books and manuscripts, Medieval.  (fast)

Flamländskt bokmåleri  -- historia (sao)

Manuscripts, Medieval  (LCSH)

Middle Ages  (LCSH)

Europe--History--476-1492  (LCSH)

Books of hours  (LCSH)

Gent (stad)  (gtt)

Brugge (stad)  (gtt)

Belgien  -- Gent (sao)

Belgien  -- Brygge (sao)

Europe  -- Flanders. (fast)

Personnamn

Master of the David Scenes in the Grimani Breviary, active 1500-1525.

Meester van de Davidscènes, fl. 1470-1530.

Wulfschkercke, Cornelia van, -1540.

Klassifikation

ND3171 (LCC)

091 (DDC)

745.67 (DDC)

06.12 (bcl)

Aea (kssb/8 (machine generated))