Moulding the female body in Victorian fairy tales and sensation novels / Laurence Talairach-Vielmas

• Introduction: femininity through the looking-glass -- That that is, is: the bondage of stories in Jean Ingelow's Mopsa the fairy (1864) -- Macdonald's fallen angel in The light princess (1864) -- Drawing muchnesses in Lewis Carroll's Alice's adventures in wonderland (1865) -- Taming the female body in Juliana Horatia Ewing's Amelia and the dwarfs (1870) and Christina Rossetti's Speaking likenesses (1874) -- A journey through the crystal palace: Rhoda Broughton's politics of plate-glass in Not wisely but too well (1867) -- Investigating books of beauties in Charles Dickens's Bleak House (1853) and M.E. Braddon's Lady Audley's secret (1862) -- Shaping the female consumer in Wilkie Collins's No name (1862) -- Rachel Leverson and the London beauty salon: female aestheticism and criminality in Wilkie Collins's Armadale (1864) -- Wilkie Collins's modern Snow White: arsenic consumption and ghastly complexions in The law and the lady (1875). 

Ämnesord

Flickor/kvinnor i litteraturen  (sbiao)

Människokroppen i litteraturen  (sbiao)

Femininitet i litteraturen  (sbiao)

Konstsagor  -- historia -- Storbritannien (sbiao)

Barnlitteratur  -- historia -- Storbritannien (sbiao)

Women in literature  (LCSH)

English fiction  -- 19th century -- History and criticism (LCSH)

Fairy tales  -- Great Britain -- History and criticism (LCSH)

Fantasy fiction, English  -- History and criticism (LCSH)

Children's stories, English  -- History and criticism (LCSH)

Popular literature  -- Great Britain -- History and criticism (LCSH)

Femininity in literature  (LCSH)

Body, Human, in literature  (LCSH)

Klassifikation

PR878.W6 (LCC)

823.8099287 (DDC)

G.096z Kvinnokroppen (sao)

Ge.46 (kssb/8)