The long march of pop : art, music, and design, 1930-1995 / Thomas Crow.

• "Thomas Crow's paradigm-changing book challenges existing narratives about the rise of Pop Art by situating it within larger cultural tides. While American Pop was indebted to its British predecessor's insistence that any creative pursuit is worthy of aesthetic consideration, Crow demonstrates that this inclusive attitude also had strong American roots. Folk becomes Crow's starting point in the advance of Pop. The folk revival occurred chiefly in the sphere of music during the 1930s and '40s, while folk art surfaced a decade later in the work of Jasper Johns and Robert Rauschenberg. Crow eloquently examines the subsequent explosion of commercial imagery in visual art, alongside its repercussions in popular music and graphic design. Pop's practitioners become defined as artists whose distillation of the vernacular is able to capture the feelings stirring among a broad public, beginning with young participants in the politicized 1960s counterculture. Woody Guthrie and Roy Lichtenstein, Andy Warhol and Bob Dylan, Ed Ruscha and the Byrds, Pauline Boty and the Beatles, the Who and Damien Hirst are all considered together with key graphic designers such as Milton Glaser and Rick Griffin in this engaging book."-- 

Ämnesord

Konst och musik  (sao)

Popkonst  (sao)

Konst och samhälle  (sao)

Pop art.  (LCSH)

Art and music  -- History -- 20th century. (LCSH)

Arts and society  -- History -- 20th century. (LCSH)

ART / History / Modern (late 19th Century to 1945).  (bisacsh)

ART / History / Contemporary (1945-).  (bisacsh)

HISTORY / Social History.  (bisacsh)

Art and music.  (fast)

Arts and society.  (fast)

Pop art.  (fast)

Pop art  (LCSH)

Art and music  (LCSH)

Art and society  (LCSH)

1900-talet  (sao)

1900 - 1999  (fast)

Genre

History.  (fast)

Klassifikation

N6494.P6 (LCC)

700.9/04 (DDC)

I (kssb/8 (machine generated))