Reconstructing violence : the southern rape complex in film and literature / Deborah E. Barker.

• Confederate abjection in D.W. Griffith's early Civil War films and Thomas Dixon's Clansman (1905) -- Taking the South out of the southern rape complex in The Story of Temple Drake (1933) -- Believing in Mammy: Sanctuary (1961), the movie -- The power of the false in Touch of Evil (1958) -- "A man like that doesn't deserve civil rights": systemic violence in Cape Fear (1962) -- "Blind spots": the visual logic and historical context of To Kill a Mockingbird (1962) -- Coda: A Time to Kill (1996) and post-civil rights variations on the southern rape complex.

Ämnesord

Violence in motion pictures.  (LCSH)

Violence in literature.  (LCSH)

Race relations in motion pictures.  (LCSH)

Race relations in literature.  (LCSH)

Power (Social sciences) in motion pictures.  (LCSH)

Power (Social sciences) in literature.  (LCSH)

Våld i filmen  (sao)

Våld i litteraturen  (sao)

Rasrelationer i filmen  (sao)

Rasrelationer i litteraturen  (sao)

Makt (samhällsvetenskap) i filmen  (sao)

Makt (samhällsvetenskap) i litteraturen  (sao)

Race relations in motion pictures  (LCSH)

Violence in literature  (LCSH)

Violence in motion pictures  (LCSH)

Race relations in literature  (LCSH)

Power (Social sciences) in literature  (LCSH)

Klassifikation

PN1995.9.V5 (LCC)

791.43/6552 (DDC)

Ima (kssb/8 (machine generated))