New Argentine and Brazilian cinema [Elektronisk resurs] Reality effects / Edited by Jens Andermann, Alvaro Fernandez Bravo.
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Andermann, Jens.
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Bravo, Alvaro Fernandez.
- ISBN 9781137304834
- Publicerad: Basingstoke : Palgrave Macmillan, 2013
- Engelska 240 p.
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Serie: New directions in Latino American cultures
- Relaterad länk:
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http://www.palgravec... (Online journal 'available contents' page)
Innehållsförteckning
Sammanfattning
Ämnesord
Stäng
- 1. Camera lucida-- Jose Carlos Avellar 2. Footprints: Risks and Achievements in New Argentine Cinema David Oubina PART I: RETURNS OF THE REAL: RE-ENACTMENT, MEMORY, AND THE UNCANNY 3. Documentary Cinema and the Return of Past Events-- Andrea Franca 4. Re-Enactment and Transmission in Contemporary Cinema-- Ivone Margulies 5. The Return of the Natural: Landscape, Nature and the Place of Fiction-- Edgardo Dieleke 6. Beyond Reflexivity: Acting and Experience in Leon, Rejtman and Coutinho-- Joanna Page 7. The Scene and the Inscription of the Real-- Cesar Guimaraes PART II: ARCHIVES OF THE PRESENT 8. Global Periphery-- Ivana Bentes 9. Exploding Buses: Jose Padilha and the Hijacking of Media-- Tom Cohen 10. December's Other Scene: New Argentine Cinema and the Crisis of 2001-- Jens Andermann 11. Archival Images - Memories of Labor: Citation, Recycling and Appropriation in Contemporary Argentine Cinema-- Mariano Mestman 12. In Praise of Difficulty: Notes on Realism and Narrative in Contemporary Argentine Film-- Domin Choi 13. The I as Other: the Real, the Archive and the Witness-- Alvaro Fernandez Bravo 14. The Documentary Between the First and the Third PersonL-- Gonzalo Aguilar.
- Reality Effects brings together the reflections of leading film scholars and critics from Latin America, the UK and the United States on the re-emergence of the real as a prime concern in contemporary Argentine and Brazilian film, and as a main reason for the acclaim both cinematographies have won among international audiences in recent years. -- Examining Brazilian and Argentine cinema of the last fifteen years, this volume charts the emergence of a new concern with the real, bringing together contributions from leading film scholars and critics from Latin America, Europe, and the United States. Comparing 'New Argentine Cinema" and the Brazilian 'Retomada,' the contributors read across the boundaries between documentary and fiction and trace new modes of deploying performance and re-enactment, found footage, and the interplay between film and television and theater. They shed light on similarities between and variations in different Latin American national cinemas' filmic discourses and production contexts and map these findings onto the larger context of current film theory.
- 'Essays in this important collection challenge the simplistic notion of the much heralded 'new Latin American cinema,' drawing our attention instead to the local conditions that govern recent films from Argentina and Brazil. New Argentine and Brazilian Cinema is an innovative contribution both to our understanding of reality effects in these regional cinemas and to our thinking about 'world cinema' more broadly.' - Andrea Noble, Durham University, UK 'Since Italian neo-realism, all new cinemas in the world have striven to approach and reveal reality. By assessing the new Argentine and Brazilian cinemas through their 'reality effects,' this book touches the political core of two thriving film production centres whose common language is truly universal.' - Lucia Nagib, University of Leeds, UK 'This volume addresses key theoretical issues that have emerged with the dawn of the digital image by focusing on realism in contemporary Brazilian and Argentine cinema. The contributors consider the blurred and shifting boundaries between fiction and documentary in the specific context of two major Latin American cinema revivals that began in the 1990s. As a whole, the volume pushes forward critical debates around the concept of 'the real.' It is thus indispensable reading for scholars and students of Latin American film and of film studies more generally.' - Lisa Shaw, University of Liverpool, UK.
Ämnesord
- Motion pictures -- Argentina. (LCSH)
- Motion picture industry -- Argentina. (LCSH)
- Motion pictures -- Brazil. (LCSH)
- Motion picture industry -- Brazil. (LCSH)
- Motion pictures -- Philosophy. (LCSH)
- Performing Arts. (ukslc)
- Films, cinema -- Argentina -- Brazil. (thema)
Klassifikation
- PER (ämneskategori)
- ATF (ämneskategori)
- 791.430981 (DDC)
- Imb (kssb/8 (machine generated))
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