Audionarratology : interfaces of sound and narrative / edited by Jarmilla Mildorf and Till Kinzel.

• Preface and acknowledgments -- Audionarratology : prolegomena to a research paradigm exploring sound and narrative / Jarmila Mildorf & Till Kinzel -- Music and storytelling -- Music in multimodal narratives : the role of the soundtrack in digital stories / M. Dolores Porto Requejo -- Staging the ghost blend in two versions of the Ballad "Big Joe and Phantom 309" / M. Angeles Mart©Ưnez -- "Put the heart into it!" : narrative in country music and the blues / Alan Palmer -- Animae partus : conceptual mythopoeisis, progressive rock, and the many voices of pain of salvation's BE / Markus Wierschem -- Sound art -- A narratology of audio art : telling stories by sound / Elke Huwiler -- A narratology of radio drama : voice, perspective, space / Bartosz Lutosta¿ski -- Voice and sound in the anti-narrative radio play / Lars Bernaerts -- Disappearing sounds : poetry, noise and narrative / Zo©± Skoulding -- Aural energies in rimini protokoll's Call Cutta : sound, documentary, performance and narratological aspects of "The world's first mobile phone theatre" / Thijs Festjens -- Sound, narrative and immersion -- Hearing storyworlds : how video games use sound to convey narrative / Sebastian Domsch -- Voicing the split narrator : readers' chores in Toni Morrison's "Recitatif" / Ivan Delazari -- Audiobooks and print narrative : similarities in text experience / Ane¿ka Kuzmi♯‍ov©Ł -- Pictures into sound : aural world-making in art gallery audio guides / Jarmila Mildorf -- Notes on Contributors -- Index. 

• Audionarratology is a new 'postclassical' narratology that explores interfaces of sound, voice, music and narrative in different media and across disciplinary boundaries. Drawing on sound studies and transmedial narratology, audionarratology combines concepts from both while also offering fresh insights. Sound studies investigate sound in its various manifestations from disciplinary angles as varied as anthropology, history, sociology, acoustics, articulatory phonetics, musicology or sound psychology. Still, a specifically narrative focus is often missing. Narratology has broadened its scope to look at narratives from transdisciplinary and transmedial perspectives. However, there is a bias towards visual or audio-visual media such as comics and graphic novels, film, TV, hyperfiction and pictorial art. The aim of this book is to foreground the oral and aural sides of storytelling, asking how sound, voice and music support narrative structure or even assume narrative functions in their own right. It brings together cutting-edge research on forms of sound narration hitherto neglected in narratology: radio plays, audiobooks, audio guides, mobile phone theatre, performance poetry, concept albums, digital stories, computer games, songs. 

Ämnesord

Narratologi  (sao)

Radio  (sao)

Radio och litteratur  (sao)

Ljudböcker  (sao)

Ljudkonst  (sao)

Radioteater  (sao)

Narration (Rhetoric)  (LCSH)

Narration (Rhetoric)  (LCSH)

Radio and literature  (LCSH)

Sound sculpture  (LCSH)

Sound installations (Art)  (LCSH)

Radio  (LCSH)

Radio plays  (LCSH)

Audiobooks  (LCSH)

Klassifikation

PE1425 (LCC)

302.2301/4 (DDC)

808.036 (DDC)

Bs (kssb/8 (machine generated))