Filmed thought : cinema as reflective form / Robert B. Pippin.

• Section I Cinema as reflective form -- Cinematic reflection -- Cinematic self-consciousness in Alfred Hitchcock's Rear Window -- Moral variations -- Section II Moral variations -- Devils and angels in Pedro Almodóvar's Talk to Her -- Confounding morality in Alfred Hitchcock's Shadow of a Doubt -- Section III Social pathologies -- Cinematic tone in Roman Polanski's Chinatown: can "life" itself be "false"? ; Love and class in Douglas Sirk's All That Heaven Allows -- Section IV Irony and mutuality -- Cinematic irony: the strange case of Nicholas Ray's Johnny Guitar -- Passive and active skepticism in Nicholas Ray's In a Lonely Place -- Section V Agency and meaning -- Vernacular metaphysics: on Terrence Malick's The Thin Red Line -- Psychology degree zero? the representation of action in the films of the Dardenne Brothers.

Ämnesord

Filmteori  (sao)

Filmestetik  (sao)

Film  -- historia (sao)

Motion pictures  -- United States -- History and criticism. (LCSH)

Motion pictures  -- Aesthetics. (LCSH)

Filmteori  (sfit)

Filosofi och film  (sfit)

Förenta staterna  (sao)

Klassifikation

PN1993.5.U6 (LCC)

791.430973 (DDC)

Imb-qa (kssb/8 (machine generated))