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LIBRIS Formathandbok  (Information om MARC21)
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010 a 2016002802
020 a 9780819576613q (clothq alk. paper)
020 a 0819576611q (clothq alk. paper)
020 a 9780819576620q (pbk.q alk. paper)
020 a 081957662Xq (pbk.q alk. paper)
020 z 9780819576637
020 q (ebook)z 9780819576637
035 a (OCoLC)ocn945648852
037 b Univ Pr of New England, One Court st, Lebanon, NH, USA, 03755, (603)4481533, 255n SAN 203-3283
041 a eng
042 a pcc
043 a n-us---
050 0a GV1785.B76
080 a 7 BROW ROS
0820 0a 792.820922 23
084 a Ikz2 kssb/8 (machine generated)
100a Rosenberg, Susan,d 1963-4 aut
2451 0a Trisha Brown :b choreography as visual art /c Susan Rosenberg.
264 1a Middletown, Connecticut :b Wesleyan University Press,c [2017]
264 4c ©2017
300 a xii, 407 pagesb illustrationsc 24 cm
336 a textb txt2 rdacontent
337 a unmediatedb n2 rdamedia
338 a volumeb nc2 rdacarrier
504 a Includes bibliographical references (pages 325-384) and index.
505a Introduction : Trisha Brown, back to the future -- Seeing the score : Trillum (1962) -- Memory and archive : A string: homemade, motor, outside (1966) -- In a crack between dance and art : "equipment dances" (1968-1971) -- The economy of gesture : the "accumulations" (1971-1973) -- To diagram, to dance : Locus (1975) -- Anthologizing process : Line up (1977) -- Subjectivity, desire, and the thinking body : Water motor (1978) -- From the white cube to the black box (1979-1981) -- The name of the game : Set and reset (1983) and Lateral pass (1985) -- Abstraction and theatricality : Newark (Niweweorce) (1987) -- Epilogue : Trisha Brown's archival imagination.
520 a "Trisha Brown re-shaped the landscape of modern dance with her game-changing and boundary-defying choreography and visual art. Art historian Susan Rosenberg draws on Brown's archives, as well as interviews with Brown and her colleagues, to track Brown's deliberate evolutionary trajectory through the first half of her decades-long career. Brown has created over 100 dances, six operas, one ballet, and a significant body of graphic works. This book discusses the formation of Brown's systemic artistic principles, and provides close readings of the works that Brown created for non-traditional and art world settings in relation to the first body of works she created for the proscenium stage. Highlighting the cognitive-kinesthetic complexity that defines the making, performing and watching of these dances, Rosenberg uncovers the importance of composer John Cage's ideas and methods to understand Brown's contributions. One of the most important and influential artists of our time, Brown was the first woman choreographer to receive the coveted MacArthur Foundation Fellowship "Genius Award.""
599 a Imported from: (Do not remove)
6001 0a Brown, Trisha,d 1936-2017.
6001 7a Brown, Trisha,d 1936-20172 fast
6001 7a Brown, Trisha,d 1936-20172 gnd
6001 7a Brown, Trisha,d 1936-2017.2 nlm
650 7a Dansare0 sao
650 7a Kvinnliga koreografer0 sao
650 0a Choreographersz United Statesv Biography.
650 0a Dancersz United Statesv Biography.
650 0a Artistsz United Statesv Biography.
650 7a Performing Arts.2 eflch
650 7a Artists.2 fast
650 7a Choreographers.2 fast
650 7a Dancers.2 fast
650 7a Performing Arts.2 ukslc
650 7a Choreographersz United Statesv Biography.2 nlm
650 7a Dancersz United Statesv Biography.2 nlm
650 7a Artistsz United Statesv Biography.2 nlm
650 0a Dancers
650 0a Women choreographers
651 7a Förenta staterna0 sao
651 7a United States.2 fast
655 7a Biographies.2 fast
655 7a Biographies.2 lcgft
655 7a Biografi över en individ0 marc
7760 8i Online version:a Rosenberg, Susan, 1963-t Trisha Brown.d Middletown, Connecticut : Wesleyan University Press, [2016]z 9780819576637
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