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LIBRIS Formathandbok  (Information om MARC21)
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008200325s2020 nyua||||||||||001 0|eng|
010 a 2019036484
020 a 9780190643607q (hardback)
020 a 0190643609
020 z 9780190643614
020 z 9780190643621
020 z 9780190643638
020 q (epub)z 9780190643614z 9780190643621z 9780190643638
035 a (OCoLC)on1114283437
040 a Jonb engc DLCd OCLCFd OCLCOd BDXd YDXd ERASAd IAKd Jone ie rda
041 a eng
042 a pcc
050 0a PN3352.P7
0820 0a 808.32 23
100a Dill-Shackleford, Karen,d 1969-4 aut
2451 0a Finding truth in fiction :b what fan culture gets right - and why it's good to get lost in a story /c Karen E. Dill-Shackleford, Cynthia Vinney, editors.
2461 0a Truth in fiction
263 a 2001
264 1a New York :b Oxford University Press,c [2020]
264 4c ©2020
300 a 284 pagesb illustrationsc 24 cm
336 a textb txt2 rdacontent
337 a unmediatedb n2 rdamedia
338 a volumeb nc2 rdacarrier
504 a Includes bibliographical references and index.
505a 1. Truth in fiction -- 2. It matters : finding meaning in stories -- 3. On actors and their roles : the social psychology of narrative person perception -- 4. Mental models of fiction : the mechanics of getting lost in a story -- 5. The timelessness of stories -- 6. Story and Identity : how stories influence who we are -- 7. Story and life stage : turning to stories throughout our lives -- 8. On prejudice and values -- Epilogue: Coping, well-being, and the future of fiction.
520 a "Being a fan of a popular film, television or book franchise is something most of us enjoy. But, we may not be familiar with the scientific study of fictional narrative or of fandom. In this book, two media psychologists reveal the sometimes-paradoxical idea that fiction helps us find truth in our real lives. Whether you consider yourself a fan or whether you find yourself thinking of a particular fictional scene for inspiration, you are not alone. Perfectly sane people regularly admit that their favourite stories are important to them. Though journalists sometimes assume that the interest in the fictional world is a sign of trouble, we enthusiastically disagree. Because story worlds are social simulations, people use them to work out their values, decide how to handle similar situations, and even decide what kind of person they want to be. Though films and shows are widely spoken of as diversions or as escapism, there are many ways that they aren't trivial at all to us. In this book, the authors explore how we understand the identity of a favourite character and the actor who plays the character. Are they the same person? We also delve into the nitty gritty of mental models for story worlds and timeless story arcs such as the hero's journey. The moments that strike us as important can change as we age and move through different life stages. Our conclusion: fans are not crazy. What fans are is human"--c Provided by publisher.
599 a Imported from: (Do not remove)
650 0a Identity (Psychology)
650 0a Self-actualization (Psychology)
650 0a Fictionx Psychological aspects.
650 0a Motion picturesx Psychological aspects.
650 0a Television programsx Psychological aspects.
650 0a Fans (Persons)x Psychology.
650 0a Mass mediax Social aspects.
650 0a Truthx Psychological aspects.
650 7a Identity (Psychology)2 fast
650 7a Self-actualization (Psychology)2 fast
650 7a Fans (Persons)x Psychology.2 fast
650 7a Fictionx Psychological aspects.2 fast
650 7a Mass mediax Social aspects.2 fast
650 7a Motion picturesx Psychological aspects.2 fast
650 7a Television programsx Psychological aspects.2 fast
650 7a Truthx Psychological aspects.2 fast
700a Vinney, Cynthia,d 1978-4 aut
7760 8i Online version:t Finding truth in fictiond New York : Oxford University Press, 2020.z 9780190643614w (DLC) 2019036485
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8564 05 Udixu Tillgänglig för användare inom Uppsala universitetz fulltextz Oxford Scholarship Online Complete
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